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The Laundress (Greuze)
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The Laundress (Greuze) : ウィキペディア英語版
The Laundress (Greuze)

''The Laundress'' ((フランス語:La Blanchisseuse)) is a 1761 genre painting by French artist Jean-Baptiste Greuze (1725-1805). Its development was influenced by Dutch cabinet painting and the imagery of the laundress made popular through a literary style known as ''genre poissard''. ''The Laundress'' was one of fourteen works exhibited by Greuze at the Salon of 1761 and was part of the collection of Greuze's patron, . The painting was mostly unknown for more than two centuries as it was privately held by various Swedish art collectors and rarely seen until it was acquired by the Getty Museum in 1983.〔Bailey, Colin B. (2000). ''(Jean-Baptiste Greuze: The Laundress )''. Getty Publications. ISBN 9780892365647. 〕
==Background==
French artist Jean-Baptiste Greuze was a late eighteenth century genre painter who was influenced by seventeenth century Dutch and Flemish artists.〔 He first exhibited at the Salon of 1755, receiving great attention for his genre painting ''Un Père de famille qui lit la Bible à ses enfàns'' (''Father Reading the Bible to His Children'').〔Hallam, John Stephen (2015). "(Salon of 1755 )." Paris Salon Exhibitions: 1667–1880. A History in Collage. Retrieved August 28, 2015. Note, this site is a continuation of (research ) Hallam did at Pacific Lutheran University.〕 Several years previously, Denis Diderot began publishing the first modern form of art criticism, and became one of Greuze's admirers after they met in 1759. Greuze achieved even greater success at the Salon of 1761 with ''L'Accordée de village''.〔Fredericksen, Burton (1997). "French School". In ''(Masterpieces of the J. Paul Getty Museum: Paintings )''. Getty Publications. p. 81. ISBN 9780892364282.〕 Greuze was considered one of the greatest painters of his time, but his popularity began to decline by the 1780s. After the French Revolution he lost everything and died penniless. Greuze was virtually forgotten by the art world for several centuries until his reemergence in the late twentieth century with the reappraisal of art from the Ancien Régime.

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